NOS4R2, by Joe Hill, reads like a children’s book for adults blended with a dark thriller. Though surreal, perhaps bizarre, the increasing conflict kept me enthralled. It’s been a while since I felt I couldn’t put a book down and while I maybe didn’t feel like that all the way through, I did for most of the novel. This may be in part because Joe Hill has created a better heroine for me than many blockbusting movies. Victoria may be a mess but she’s a mess with reason, has stamina, purpose, tenacity, and an entire list of exceptional traits that many female leads lack. Perhaps some belief edged close to the line, but in a world where Christmasland exists a thought or bike ride away, I’m prepared to suspend my doubts for the sheer enjoyment of reading. I like the way he stretches the story over time told at different points in the characters’ lives. I may never enjoy Christmas in quite the same way, but will happily live with that too for such a well-thought and excellently presented story which tugs on so many emotional strings.
V-Wars, edited by Jonathan Maberry best known for his Young Adult zombie book, also writes for adults and proves he’s capable of handling the vampire genre. I started this because the series was in production. The thing instantly to stand out for me was I’ve never seen a multi-authored book arranged in this manner with the stories broken up into parts and a sliding timeline. I can easily see why and how this was adapted for television.
The Doll Factory, Elizabeth Macneal: I have to admit the style distracted me at first but soon drew me into the world of Victorian London. The perfectly assembled cast delivers a tale of love, obsession, and atmospheric horror. The fair Iris who wishes to better her situation, her poor embittered sister, Rose, the exuberant Albie, the questionable love interest in Louis, and the infatuated Silas. I couldn’t help thinking of undertones of John Fowles The Collector, although if that in any way gave inspiration to this novel, the author has enriched a basic idea and made it her own. Also, I think the comparison to various other titles is a pity as people like John Fowles are literary noteworthies (regardless of whether you like them) which promotes the book to a level difficult to attain. Some books are simply enjoyable. I’m uncertain whether to consider some parts of the story entirely historically accurate, but the tone suffices to transport the reader into another era. The only real downside for me is that I was expecting something, perhaps a little more gothic. Still, a fabulous debut.
Dracula, Bram Stoker: A re-read of a classic I’ve not touched for many years. A book of this type will always receive mixed reviews. A classic, by definition, is always a book of its time and will jar for a modern reader. Especially for a modern reader who has not read classic literature for most of their life. My childhood books included novels such as Tom Sawyer and Treasure Island, so I have no problem with reading this. At such times when Dickens was popular, writers were paid by the word, so if any such novels feel padded there’s a reason. This book feels overlong, and if written/edited now would be much shorter. I’d particularly forgotten the peculiar way Van Helsing speaks, which I read with a blend of irritation and amusing pleasure. In the 21st century the book has many faults, much of it reading like Victorian melodrama, and is far from horrifying, but in 1897 Dracula would have been petrifying. It’s almost impossible to review a book of this type, so it’s important to understand how this novel was pivotal.
Though Stoker did not invent the vampire myth or write the first well-known story, he wrote the crucial novel, bringing us a vampire who would popularise the genre and creating a legend. Like the writing or not, this book deserves its pedestal. Stoker touched on the darkest fears, not only of the time, but at the heart of terror, a creature capable of overtaking the human mind, of seducing, of changing shape and appearance, of ‘infiltrating’ the home, the heart, the marriage bond. Horror novels often reflect societal fears of the moment, and Dracula is no different, though many of the same fears exist more than a century later. Stoker also puts into the mind unforgettable images — a wild country of superstition, Dracula’s towering castle, Harker’s slow realisation he’s a prisoner, Dracula’s vertical crawl, his intention to take over London, the crazed incredible Renfield, Dr Seward’s asylum. And, perhaps, for women today, the book represents the ultimate equality statement. Lucy and Mina’s story both begin with them represented as something beautiful and fragile, ‘creatures’ who can do nothing without their men and who require protection. The book ends with a gun in Mina’s hand. She has become a far different woman from the shy girl who did nothing more than look forward to a life of marriage. She wishes to protect Jonathan as much as he longs to protect her, perhaps placing Stoker as a realist and/or ahead of his time. Still, there are moments that sit uneasily with me, the worst of which is the historical error that anyone can provide a transfusion without blood-matching, a fact not discovered at the time but which cannot help making even this modern reader wince.
The Shining, Stephen King: I’m sure there’s few people who need telling the plot of The Shining. Alcoholic writer takes a job at the Overlook Hotel to be the caretaker over the winter, taking with him his wife and son, only young Danny Torrance has a talent the like of which undocumented and to the ghosts of the Overlook he’s a shining beacon. As a side note for anyone who has only seen the film, the book is decidedly different with a depth the film lacks. This story is also far creepier than I recalled, maybe because you can feel a five-year-old’s panic.
Doctor Sleep, Stephen King: This novel returns to events which happened in the Overlook Hotel of The Shining, with Danny Torrance now grown. A well written and enjoyable paranormal thriller, but don’t go into this expecting the same type of scare.
Dirk Gently’s Holistic Detective Agency, Douglas Adams: Having recently watched the series, I wanted to read the books and I’m glad I did because they vary greatly. Dick is only somewhat similar to the energetic performance in the show. The interconnectedness concept makes these a fun read. Though they’re not as good as Adams’ other works, they have an inherent cleverness, and it would have been nice to see how the series may have developed had Adams written more than two and a third incomplete. This is my favourite of the Dirk Gently novels.
The Long Dark Tea-Time of the Soul, Douglas Adams: Though I preferred the plot and concept of the first Dirk Gently book, this one perhaps has the stronger ending. I advise reading them in order — connect them as Dirk would do. Well worth a read and to be forever haunted by an ominous fridge.
The Salmon of Doubt, Douglas Adams: A collection of essays and a well put-together but incomplete last Dirk Gently novel. I can see how this will always garner mixed reviews. Overall, I enjoyed this book as there’s something poignant about reading Adams’ words one last time that makes this a fond farewell, but the lack of an end to the Dirk Gently book left me disappointed and wistful, but the story was shaping up so well I’m glad to know as little as I now do. Maybe one for true aficionados but a touching book to add to a collection.
The Cabin at the End of the World, Paul Trembley: My first read by this author, but not my last. I wasn’t sure about the style at first, but that made it different and I was so quickly drawn in and almost instantly riveted. A cabin in the woods, end of the world, hostage situational horror story with a twist and real uncertainty that digs into surprisingly emotional depths, and an end I found satisfying. If this is indicative of this author’s work, I’m in for a treat with his other titles.
The Reddening, Adam L.G. Nevill: The Reddening paints a highly descriptive portrait of the South Devon coastline unlike any I’ve read before, bringing the setting to life and creating a realistic landscape in which anything, even the horrors of the book, seem possible. Nevill has a way of writing horror through not only what is said but also what’s not said, and left to the imagination, is perhaps worse than the words on the page. Several scenes had me so engrossed I even jumped once when I lost track of time, disturbed by someone coming home and opening the front door. Nevill writes intellectual horror enhanced with a rich vocabulary.
The Bishop’s Wife, Robert Nathan: As a fan of the original black & white film, I was curious to read the story. Only able to find this as a 99p download, I took the opportunity. Though the basis of the plot is present in both, they are very different, expressing both similar and yet varying philosophies. I have to accept I prefer the film which injects humour and perhaps a greater depth to the story.
