Author: Sharon

First, an explanation.

A writer who is a ‘plotter’ plans out the course of the story, thinks about the plot, theme, subtext, characterisation, and many other elements ‘before writing’.

A ‘pantser’ sits down at the keyboard with an idea or a model (these are two different things I won’t explain here except to say one is more fully fledged than the other) and writes. ‘Pantsing’ is to ‘fly by the seat of’ (one’s pants), though I prefer to call it organic writing.

I’m (mostly) a pantser, which I realise doesn’t mean I don’t plot but having read a reference to Stephen King recently, a proverbial lightbulb went off in my head illuminating the fact that, like King, I’m an intuitive plotter. I am NOT for the record stating at this point in time I do it as well as he does, but here’s hoping one day, preferably soon. Really, that’s the definition of (successful) pantsers — they are intuitive plotters.

Yes, I can face the blank page and craft a story with nothing more than a vague idea in mind. I often write from beginning to end. I seldom jump around. The story comes to me as if I am reading, and in that respect, it appears I’m lucky the way King is fortuitous. We can ‘pants’ it. The same cannot be said of every writer, though it doesn’t diminish the effort required, and a simple but painful truth remains: sometimes planning isn’t a bad idea even for pantsers. A story may not work for many reasons. Vital elements may be missing. Or be in the wrong order. Even a good book may benefit from being looked over to check all the important formations of story-telling are present and/or in the right place.

I imagine most writers start out as pantsers, unless they have a professional writing background. Most writers are readers who range from someone ‘wanting to have a go’ to those who have always dreamed of it being a vocation. Some (the lucky few) will discover they are intuitive, their writing tends to be organic, and they write something good enough to capture a publisher’s interest. Those who aren’t intuitive writers who don’t put in more work likely publish nothing, or nothing well-received.

Stories have patterns. Don’t worry if you didn’t realise this. If you’re a reader, you shouldn’t. I was ‘only’ a reader once, though there’s no such thing as ‘only a reader’ to those who love books, who buy them or produce them. A reader should enjoy a book without seeing its framework. The reader isn’t supposed to know the design is there.

Pantsers write and either give up or get nowhere (I throw my hands up and confess there are always the often-dreaded exceptions) because they don’t realise this, or they are intuitive and form the shape without realising. Once pantsers become published authors, they may or may not perceive the hidden construction of stories. Some will continue to be intuitive without thinking about it, while some (of which I am one) will spot these layouts.

A note of warning: IMHO recognition of these designs ‘may’ spoil the simple enjoyment of reading somewhat (at least for me). As an author, I now read a book more aware of the narrative. I’m able to spot the ‘inciting incident’ (for example). Don’t worry if as a reader you don’t know what that is, but writers should understand. For me, books were more enjoyable when these plot points were ‘invisible’ because as a reader I did not tune my mind in to spot them.

Plotters know stories require an arrangement and they set out to make the task easier for themselves by laying the groundwork beforehand.

To a pantser, plotting feels like studying for an exam. A plotter to a pantser can seem like one of those irritating kids in school who enjoyed the study process. Ironically, I was one of those who didn’t overly mind studying — good thing because as a writer sometimes I need to do research.

The trouble is, depending on what level of intuitive grasp the writer has of the subject, the pantser can be the one looking wistfully back, wishing they had spent the hours pouring over the textbooks in order to get a better result, but I’m not advocating either option.

Which is better? This is a simple question with a simple answer: use the one that works for you. Some writers plot, some pants, and some do a mixture of the two, and what’s required can differ from work to work, genre to genre, project to project. The choice often comes down to which the writer finds easier, more natural, or even which he or she can withstand. For some pantsers, plotting can seem torturous. For some plotters, pantsing must seem bewildering and disastrous.