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The Wolf Moon

My short story The Wolf Moon finally released the other week and continues my foray into Dark Fiction. I plan to blog another time about how the story came into being (will be guest-blogging with the publisher at a future date), but for now, the story can be found in the Fox Spirit anthology Winter Tales. Though these tales may seem surprising to my romance readers, this type of fiction is where I started. What’s held me back from pursuing more in this genre is the lack of an idea to produce a full-length novel. I’ve written long romances and long steampunk stories, and played with numerous themes, but nothing that comes close to the darkness explored in my short stories…until now. I’m pleased to say I’ve an idea that’s nagging at me. The trouble is, right now I don’t have the time to write it. I’m working on a project that I just submit soon although I don’t know whether it will be suitable, and I’ve promised to re-work and re-release some romances. This basically involves as much editing as writing. I’m ploughing ahead as fast as my muse and ability to type will allow.

Fox Spirit was a good publisher to add to my Dark Fiction resume: shortlisted for the Best Indie Press twice in three years by the British Fantasy Society, their mission statement summarises the belief that day to day life lacks a few things, namely the fantastic, the magical, mischievous and a touch of the horrific. They aim to produce books ‘full of wonder and mischief delivered with a sharp bite’. My short story definitely applies. Diana may or may not be a hunter, but Gabriel is no angel.

Diana, the huntress. Her mother called winter a time of silence. For Diana, most of her life is quiet, her only companions wolves. Known as a witch by those in the human settlement even her rare visits to town are unwelcome.

Gabriel, named after the angel; although he’s no heavenly messenger, he refuses to trap what the locals want him to catch. When he sees Diana, he’s on the hunt for different prey.

Two people, strangers to each other, both outsiders… A harsh winter is upon them, but when their paths cross it will take a little ingenuity to survive the coldest of seasons.

Shiver under The Wolf Moon, one of a collection of Winter Tales.

Also available at Amazon.co.uk and Amazon.com

Update note: In this version, The Wolf Moon was published under the name of Sharon Kernow.

Guest Spot: Chantal Noordeloos

Today, in honour of my upcoming Dark Fiction release, I’m purposely throwing the spotlight on author Chantal Noordeloos as a writer who is as in tune with my sensibilities as she is also apart from them. I understand her intentions behind her darker work, as she would no doubt understand mine. As her biography states, she’s a writer born in the Hague, lives in the Netherlands, with what strikes me as the perfect balance of family: a husband who shares the right level of unconventionality and a wily daughter as amusing as she is ingenious — a word that suits the whole Noordeloos ensemble and zeal for life. It is this love of life that may make one question why Chantal visits such dark realms in her writing: one of those cases where the question itself may supply the answer, for these tales face our darkest fears and often drive back the shadows or, at least, greet what lurks within them head-on.

CN_Wrath

Wrath begins with a first-person telling of a vicious attack on an unknown woman, but what may seem like the end of her journey turns into another beginning… with choices only the wrathful can make. This is a thought-provoking story in the second of this author’s contribution to her ‘seven deadly sins’ series.

What immediately came to mind was the amount of unpleasant research done to get the atmosphere of this nasty little tale just right. The story plays out on many levels making the reader uncomfortable, questioning morality and even what constitutes a ‘sin’. Some reading the story won’t agree, I’m sure, but it’s necessary to go deeper and consider the issues within to feel that greater sense of purpose. These layers are present from the outset. Not to give the story details away but a pre-set view of the main character forms before the truth comes to light and in this way made me question personal concepts; or, in other words, I was too quick to impress my view on the character and then surprised when I realised the actual circumstances, but this is a good thing, potentially making the reader self-aware of how ingrained preconceptions can be.

The story also highlights the plight of women around the world, how societies and even groups within societies view feminism (just another word for equality) and it does it at an emotional level that I hope will make both men and women squirm. If this story makes the reader uncomfortable, well, it should. It should also make them question. On the negative side, there were a couple of editing points, and although I found the end satisfying, it felt a little fast coming after a steady build-up. That’s why I award the story 4 out of 5 but I eagerly expect the rest of the series and these issues should be largely overlooked midst the bones of a provocative story.

Amazon.co.uk

Amazon.com

Prepare to be Poor

“The average earnings of a professional full-time author is just £11,000.”*

*Findings of the Authors’ Licensing and Collecting Society 2014.

This is as much a message to readers as it is to all those who freely file share whether they do or don’t perceive the harm, pirates, and wannabe writers who believe a writing career will change their lives. I’m not up to date with the most recent statistics, but let’s just run over a few possibly eye-opening figures.

My father was one reader who mistakenly believed whether a writer made £1 per book or 1p, the trading of a million titles added up to ‘a lot’. Even if every author was guaranteed that number there’s a huge difference in earnings if the royalties are a pound or a penny, but the main trouble with this thinking is most writers cannot sell even close to such an amount.

Let’s look at sales:

Before the 2014 findings released I’d read articles reporting many printed, in the store, mainstream paperbacks sold on average 500 copies. Reports said celebrity-written novels selling between 100-200,000 were deemed flops owing to publisher expectations the books would retail well on celebrity status alone.

The situation can be even worse for electronic publications. I know many who never sell more than around 100 copies. I’ve been told some e-books won’t trade significantly above 200.

So which writers are making money from book sales? Those often seen in the top ten positions in the bookstores, but their success is the dream and does not include the ‘average’ writer. Which isn’t to say one cannot make a living in the industry. I know people who have given up the day job to survive on their writing income, but many have supporting spouses, and almost all say they live ‘carefully’.

One of the draws of electronic publishing in recent years was their higher than average royalty share. The usual contract for rates on print is between 7-10%. It doesn’t require a maths genius to calculate a paperback of £5.99 being approximately 60p a book earned by the author of the cover price. Understandably, royalties of 35-50% are highly attractive. When the print market got on board with e-books, there was a lot of resulting disagreements over the percentages these previously print-only companies were offering with many well-known writers demanding more favourable terms. Some of those early negotiations reached 25%–still lower than some electronic-only publishers.

Now let’s take these figures and see how the income starts dwindling in other ways:

Another pull of these markets is many sold primarily in-house so the royalty percentage received was based on the total cover price. When a distributor sells, their cut is first deducted before these contracted percentages apply between writer and publisher. We’re talking the differences between net and gross here.

To be fair prior to the existence of e-books, publishers were always distributors but one draw of e-book publishing was they did sell more in-house, translating into higher profit margins. A large portion, which usually disappeared in printing costs, found its way to the writer. Lately, I’ve been noticing these publishers immediately sending titles to multiple marketplaces so a writer’s slice cannot be construed from the full price on initial sales. One likely reason for this is that many are finding Kindle to be where most purchases now generate. Where many believed the invention of a good e-reader would increase readership, unfortunately, it took the exchange out of house. The app also allowed those who had no wish to own such a device to read on computers and tablets with the same ease. Readers like the ability to buy without difficulty and this is something Amazon does. Many publishers and writers have suffered because of simple single-click buying. I’m not claiming that this is the sole problem but I, like many, do believe it’s a contributing factor.

The distributor deducts their cut before anyone sees anything of percentages. As most distributors have clauses that allow them to set their own cover price and not the RRP of the publisher, and even the freedom to determine when a product should be available at a reduced rate, this percentage can be lowered even more.

If a £6 novel is given a 30% discount that generates £4.20. Let’s say distribution subtracts 35% of that customer’s outlay. We’re left with £2.73. If the writer’s segment is 50%, the earnings will be £1.36. If the cut is 10% that approximates to 28p.

We’ll be generous and use the average of 500 copies sold.

£1.36 x 500 = £680

28p x 500 = £140

Now, if applicable, calculate the removal of income tax.

Divide what’s left by the hours, days, months taken to create the draft. Shall we also throw in the anxious pursuit of a publisher, the editing rounds, and the promotion time put in, all of which I’m sure I’ll cover in other blogs?

For now, let’s use NaNoWriMo (National Novel Writing Month) as an example and say it’s a short novella, with a draft produced in a month and the writer is fast. Even if we round it up to a generous minimum of 50 hours of work, oh look… Based on the lower rate before tax amount provides an income of £2.80 per hour…before we take into account all the additional days required. Consider that some may take 3 months, or 6, or a year to construct a book and you quickly see your ‘average’ writer wakes up daily questioning what motivates them to do this job.

“At least writers can boost their income by attending conventions. They get paid to go, and there’s all that prestige, and they’re sure to sell a load of books at these things.”

Only recently, best-selling author of His Dark Materials trilogy, Philip Pullman withdrew from the Oxford festival, having grown tired of ‘writers expected to work for nothing’. As he rightly said, everyone else, “from the cleaners to the people who put up the marquees” get paid, so despite being a patron for the last five years, he resigned.

Now tell one of these writers he or she is ‘rolling in it’, that authors can withstand not to be paid for some of the things they do, that it’s ‘okay’ to pirate their work, that £5.99 for a full-length novel is too expensive. Better yet accept my challenge of waiting behind at a writers’ convention until you’re the only reader in a room full of authors and say it aloud. If your family doesn’t have reason to wonder why you never made it home, then do anticipate being killed in a few new releases. Many writers know where to hide the bodies.

The reality is a sad truth. There’s money to be made, but don’t expect to become rich overnight, if at all. One of the first things I was warned of when I chose to be a writer was unrealistic expectations. If fame and fortune are the main reasons to put pen to paper or hands to the keyboard, the wannabe might turn into one of those who makes the ten top slots regularly, but may also be extremely disappointed to hear he or she has only sold 200 copies. Success, like how much a book is ‘worth’, is largely subjective.

You may wish to check out these articles:

http://www.theguardian.com/books/2014/jul/08/authors-incomes-collapse-alcs-survey

http://www.independent.co.uk/arts-entertainment/books/news/philip-pullman-quits-as-oxford-literary-festival-refuses-to-pay-its-guest-authors-a6813066.html

Guest Spot: Chris Pavesic

A little late for Autumn, but anytime is cooking time, right?

Fantasy author Chris Pavesic is in the kitchen with her delicious and healthy addition to your dinner menu. The kitchen is all yours, Chris.

This recipe is one of the first I make during the fall season to go along with the bountiful harvest of apples available in my area of the Midwest.

 

Photo by kornnphoto

TeaOrganic Ginger Candy

I use organic ingredients whenever I can. I find that it improves the flavor and I think it is healthier for me and my family. However, this chutney can easily be made with non-organic ingredients as well. It is all up to you—the cook.

Traditionally apple chutney is a savory sauce made from apples, brown sugar, vinegar, onions and various herbs and spices. It has a sweet and tart flavor that complements meat dishes such as roast chicken, beef, ham and pork chops.

In my family, certain people are allergic to onions (myself included). So I adapt recipes to take these allergies into consideration. I thought I would share my recipe with you.

 
Easy Apple Chutney
⅔ cup brewed tea, warm*
8 organic ginger candies
5 large apples, peeled, cored, and diced.
1 cup celery, diced very fine
⅓ cup Key Lime Juice
¾ cup light brown sugar, lightly packed
¾ cup cider vinegar
1 tsp. dried mustard powder or 2 tsp. yellow mustard
1½ tsp. sea salt
¾ cup dried cherries

Partially dissolve the ginger candies in the tea. Do not be concerned if the ginger candies do not completely dissolve. They will continue to melt during the cooking.You can substitute 1 tbsp. powdered ginger or 2 tbsp. minced fresh ginger in place of the candies. If you do, increase the light brown sugar to 1 Cup, lightly packed.

Combine the tea mixture and all remaining ingredients into a Dutch Oven. Cover and simmer for 50 minutes on your stovetop, stirring occasionally. Remove the cover and cook for about another 20 minutes. You want the excess liquid to evaporate and the chutney to thicken.

Dutch OvenRemove from the Dutch Oven and set aside to cool. Store covered in the refrigerator.

I like recipes that can be made in Dutch Ovens and Crock Pots. They really save a lot of time/effort. This one is probably one of the more elaborate ones—and yet the prep time is only about 15 minutes.

Prep Time: 15 minutes
Cooking Time: 70 minutes

*I use Trader Joe’s Specialty Pomegranate White Tea made with Organic White Tea Leaves, Hibiscus Flowers, and Lemongrass.

 

Disclaimer: I am not affiliated in any way with any of the products/companies discussed in this post.)

Cheers!

Here is a brief introduction to Wonderland, the latest fantasy book by Chris Pavesic. Enjoy!

 

You may think you know her story.

You don’t.

Throughout her life Alice has faced fear and isolation, but she has never given up hope. In the City by the Bay she has one last chance to find happiness; one last chance to find friendship; one last chance to find Wonderland.

Click here to watch the YouTube video.

 

Read excerpts from all of the books written by Chris Pavesic on Amazon.

Chris Pavesic is a fantasy author who lives in the Midwestern United States and loves Kona coffee, steampunk, fairy tales, and all types of speculative fiction. Between writing projects, Chris can most often be found reading, gaming, gardening, working on an endless list of DIY household projects, or hanging out with friends. Learn more about Chris on her website.

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Amateur

Let me stress I mean no insult when I use the term amateur. Every new writer is a nonprofessional. Some have an advantage of a journalistic or similar writing background but they, like everyone, learned their craft. Stories follow certain patterns and by studying these layouts one learns how to produce effective narratives; even if wishing to alter these standards to create something new, it is a good idea to recognise plot. Understand the ‘rules’ to break them.

I’m not going to catalog all the errors editors pick out in many draft manuscripts, but I will list one of which almost every wannabe is responsible. Even the successful author can be guilty although often the story-teller will catch this error in self-edits. If the writer doesn’t, a good editor will.

Many new writers begin their stories with long-winded paragraphs of exposition and description. Trained authors do this, but with good purpose. In those instances, the writers in question set the first chapter aside to use for their own information, extrapolating the necessary particulars into the narrative of the book, breaking up the details and ‘peppering’ the facts between the pages.

I once read an excellent piece of advice: Write your story and begin at the second chapter. Many writers, but particular ‘new’, will describe their characters from their height, hair, eye, and skin colour, to the checked pattern on their garments. This over description doesn’t end at the character but extends to the environment. These details may be important, but are best passed on as an ‘impression’. Study a book bearing this in mind. Examine how the author presents the main character. Is he or she described as being six feet tall, with brown eyes, and long brown hair swept over his or her shoulders? Of does the author describe this person through someone else’s impression of them? EG:

“His eyes were the same deep brown as the colour of his hair. Such eyes should have made her feel welcome. The way his full lips twitched suggested his gaze would be twinkling with amusement. Alas, when she risked straining her neck to look up to his face, his expression appeared taut, his lips tight, his gaze narrow.”

Fine, not the greatest paragraph. I haven’t put much effort into it, but the piece is more entertaining than a list of characteristics. As an alternative to saying he’s tall, she’s having to gaze up to such a degree she may strain her neck. The section indicates brown eyes and hair, but instead of stating the man is unhappy, the reader notes his expression may be hostile, is at least far from welcoming. Is he displeased about something, or with her? Right away, questions will likely keep people reading to discover the answers.

Likewise, it is never a good idea to include an information dump whether at the beginning or later in the book. On rare occasions, this is necessary. A rather tedious chapter exists in James Herbert’s The Fog. However, the data is necessary and is presented to the reader as a meeting. Do not begin by introducing a character, describing the room he or she occupies, and listing the background of how, when, where, and why the person came to be there, who their relatives are and what they are all thinking of having for lunch. Too much explanation slows narrative, can be boring, and also requires the reader to take in a great deal of information too fast. An editor will grow weary even faster. The manuscript will go straight to the slush pile.

Reads of 2015

If I thought my reading list the last couple of years was pitiful, this year has been atrocious, but there are a few worth mentioning.

As You Wish by Cary Elwes is a must for any fan of The Princess Bride if only for the many reminiscences and stories behind the scenes of the cast. I finally read J.K.Rowling’s The Casual Vacancy with high hopes, yet I’m unsure how I feel about this book. I can appreciate the story, but the style was a little too much tell rather than show for me. I didn’t watch the television series because I have heard they insisted on a rather more upbeat ending. Not having the series to compare to the book, all I can say is I have no reservations about the end. It’s a consistently bleak book, but not all stories need to be promising.

I read all the Dexter volumes being a fan of the series and had no problem separating the stories from the show. As many things are similar as they are different. I’m making the rare choice here in preferring the show. The series did far more with the character.

I cannot recap on this year’s reads without mentioning The Forgotten Son by Andy Frankham-Allen, the first of a series of Lethbridge-Stewart books ‘The Brigadier of Doctor Who fame’. A good opening setting for a well-loved character. I have reviewed the book and will repost that review sometime in the new year.

The Fault in Our Stars was a surprising read, far more poignant than I expected it to be while A New York Winter’s Tale left me wondering whether I’d read something incredible, audacious, or ultimately aimless and futile. I’ve such mixed feelings over the book that I really cannot decide and maybe in that the book served the writer’s intention. It’s neither a romance nor a steampunk fantasy though it put me in mind of one. The only recommendation I can make is to read the book and discard the movie that is a truly poor adaptation of a far-more-complex story.

I finally caught up on George R.R.Martin’s ‘Game of Thrones’ novels and like so many await more releases. Daughter of Ashes, by Esther Mitchell, is worth a mention for the world-building.

I didn’t know what to expect when I started reading, L.Joseph Shosty’s book Old Wine & Black Hearts. The title and the cover had me already, appealing to the Dark Fiction themes I enjoy. The contents were an odd but pleasant surprise because there’s no way to anticipate these stories. The book is divided into two sections. Old Wine contains an eclectic mix of the bizarre and disturbing. I thought the first story in the collection the weakest, but it proved to be a more gentle introduction into an unorthodox selection of unpredictable tales. A couple of favourites are Strings, which has a deeper layer and could mean different things to different people while They Burned Old Ben has a thread of dark humour that’s unsettling.

A Sincere Warning About The Entity in Your Home, by Jason Arnopp, is a short release of a semi-predictable horror story but told in a way that captured my interest. I’d never heard of the writer before, but his resume and style will have me looking up more of his work.

So I end the year on Gone Girl, by Gillian Flynn…another book that has left me with mixed feelings. I don’t like books told in the first person as much as third especially when more than one viewpoint is used and perhaps owing to this for the first third of the book it didn’t really work for me. The character presented in her early diary entries was so instantly unlikable I didn’t care what had happened to her, was merely curious. Perhaps the writer in me kept me reading because I had several theories. I don’t want to give away the story so it’s easier to keep to the impression I’m left with. This is a story about two complex but unlikable people who deserved each other, which doesn’t seem like the basis for a good novel; however, it’s clever and thought-provoking. Definitely, one that when read you want to discuss. Unfortunately, it also has one of the worst sentences I’ve come across in such an acclaimed book; had I written such a sentence and not edited it out, any one of my editors would have had me walking on hot coals. I keep thinking it has to be an error, but I have a sad feeling it’s not.

As always, hoping to do better with my reading this coming year.