Writer of Dark and Light Fiction. Fact, fiction, poetry, short stories, articles and novels. Cross-genre, slipstream, non-traditional romance, gothic, horror, fantasy and more... Visit this diverse writer's site.

Out and About Sept 2022

I’ve not blogged the last two weeks because of so much going on in the world and the Queen dominating the headlines. The majority mourned, so I respected their quiet time the same way many did. Few criticised or expressed their lack of caring. Yes, she lived an outstanding life to a wonderful age, so on that basis there’s little to mourn, but for those who aren’t royalists in every or any sense of the word, she has been a constant in many lives. Seeing a public display of grief reminds many of us of loved ones gone, so we can empathise with the feeling. That she should die when the world is in such a mess… well, it’s always in a mess, but for some, it’s another unsettling aspect. For me, the strangest thing missing will be ‘the Queen and her corgis’.

I was also away. Although now living in the south-west means we can visit most places for a day, we still have areas where we like to stay. We’ve never stayed in Port Isaac, although our holiday place gave us a wonderful view of Tintagel’s headland from an angle we’ve never viewed before.

Tintagel Headland

Port Isaac is perhaps most famous as the setting for Port Wenn in the Doc Martin series, and if anyone fancies living in there, they may like to know the house (Fern Cottage) used as Doc Martin’s surgery is up for a whopping £1,150,000 and it’s only two bedrooms. Yes, there’s the view, but if I had that kind of spare change, there are nicer and larger homes. And I’m not sure I’d want tourists stopping to click their cameras at my front door every few seconds. Still, the opportunity is there for anyone who wants it.

Port Isaac (Doc Martin’s House is the central small brown house).

This picturesque spot was once a busy port, though much of the goods moved by sea fell away with the arrival of the railways, and so Port Isaac has been a fishing village since the 14th century, evidenced by its small harbour and small twisting avenues. Tiny sometimes, such as Squeezy Belly Alley. Nowadays, its largest income may arguably be as a tourist attraction. There’s something quaint and captivating about the scenery, the buildings, and even the small harbour that pleases the visitor no matter how many times they’ve seen it before.

Squeezy Belly Alley

We were lucky enough to be staying at the top of the hill a little way past the visitor’s carpark, so we could leave our car and set out on foot any time we chose. Please respect the village and stop in the carpark, because no one who doesn’t live there should venture down except to drop off/pick up someone with mobility issues. There’s no room in the village for traffic and some of those roads really will have drivers getting into difficulty. Fresh fish is a major attraction, boat trips, coast path walks and the adventurous walker will find many beautiful bays in the area. From here we visited many of the spots we love so well, but next visit we’ll no doubt return to Tintagel.

Reads of August 2022

Crazy for You, Jennifer Crusie
Loved this immediately. Quinn’s fury over the dog is priceless, and understandable to pet owners everywhere. The author well worked the overlapping relationships in this story. Women everywhere will get the issue the women have, and men reading this might become enlightened. Nick and Quinn are excellent characters for a romance. One word of warning: this book could contain triggering issues for abuse victims, though dealt with well toward the end. A few viewpoints may also seem outdated, but then all books are of their time.

Who Censored Roger Rabbit, Gary Wolf
When a book makes you laugh in the first few sentences, it’s a good sign, but I know not everyone feels this way. I suppose it depends how attached to the Disney film you are. The book’s different, written in a more serious tone. I have to say I liked both versions. I found the noir detective feel and ‘heard’ an occasional sentence as spoken by Bob Hoskins. This book isn’t the film. Anyone expecting that is bound to feel disappointed. Roger’s in no way as zany, but I liked the character’s development and grew extremely attached to him, though in a completely different way from the film. I can’t say more without giving away the ending, but it even plucked at the old heartstrings. I own the other three books and will read them.

The Sleeper and the Spindle, Neil Gaiman
A short story of a re-imagined fairy tale from one of my favourite writers brought to life with the meticulously illustrated works of Chris Riddell. I know it’s aimed at children but had to have it as part of my Gaiman collection, and it’s a beautiful book to look at and handle. I would have loved this as a child and still do as an adult.

A Princess of Mars, Edgar Rice Burroughs
I’m one of the minority who enjoyed the John Carter film (although I believe it was better received by the public than the critics), and that made me want to read the book. In some ways, a bit of a boy’s own adventure, but then such was a lot of literature of its day. Didn’t make me dislike Tarzan any less or dislike this. I love Woola, the creature which John Carter affectionately befriends, so want my own Calot. Still, I want to want to read the series, but having heard this is the best of the novels, and with so many other books to read, I know I probably won’t. Still, I’m glad to have spent time with this one, though this type of writing will find a lesser audience in a modern world which no longer takes so kindly to old styles of writing — not a problem for me as I grew up reading classics from childhood. Considering when works such as this were written, it shows the fantastic inspirational imagination of an author ahead of his time.

Cold Fire, Dean Koontz
Cold Fire feels like an unfortunately overlook book, rarely mentioned and possibly not as remembered as many of his other titles. Yet it’s definitely one of his most solidly plotted books. Sure, the novel insists we suspend disbelief, but this is a supernatural thriller, so one should have a problem with that. Koontz gives us a hero who has a power working through him. Our hero calls this power God, but it may not be a benevolent one. May not be good at all. Part of this book works mainly owing to a portion of human nature that knows some humans don’t deserve to be called animals, because animals behave better. Ultimately, it addresses many questions, the two most important being, How damaged can a person be by disaster and grief? And how strong is the healing power of love?

Nothing But Blackened Teeth, Cassandra Khaw
Beautifully written. Seriously, Khaw’s narrative captures the imagination, especially for anyone with a love of true literature. However, this isn’t a novel. It’s a novella at best, so though it’s available in a hardback book, don’t think you’re getting hours of reading material. Not that it isn’t worthwhile. The narrative richly played in my head as though I were watching a film, and I can well imagine this would make an entertaining hour and a half movie. I didn’t find it all that scary, though as a horror fan, I loved what I was reading. Part of the trouble I believe is anyone not versed in Japanese mythology will find the references washing over them unless they take the time to look them up, which breaks into their enjoyment of the story. EG: Kitsune is the Japanese word for fox and references foxes in Japanese folklore which possess paranormal abilities. I honestly think an addendum related to all the various folklore in the book would have helped for trying to translate these appearances to the mind’s eye is difficult, though it’s no fault of the author, and the work still carries an underlying sense of menace and there’s no denying the fabulous elegance of this story, the wonderful choice of each word. As sublime as it is cruel.

Death Descends on Saturn Villa, M.R.C.Kasasian
The longest and most involved book of the series told from both March Middleton’s perspective, and in one section from Sidney Grice. Pleased to say I worked out the culprit, though the plot certainly kept me guessing for a long while. The most engrossing, complex plot yet. Some readers don’t like Sherlockesque ‘personal’ detective, Sidney Grice, but I find his arrogance and unpleasantness hysterical. Contrary, I’ve experienced split emotions regarding March Middleton. For an intelligent woman ahead of her time, the plots tend to rely on her making some questionable choices, forgivable only because of the time in which the author set the books. But in a surprising conclusion, she shows a different side to her nature in this novel, which gives deeper meaning to her character.

Fast Women, Jennifer Crusie
More than one romance wrapped up in a mystery. This was an excellent book with offbeat characters who have married wrongly for the wrong reasons. In that, it’s as though they’ve taken years to grow up enough to recognise true love when it comes along. Nell is an excellent main character, although the relationships circle around three women. I like all the parts of this book, but I didn’t love it as much as I feel I should and find it hard to say why. Maybe because it contains darker themes than some of her other books, and it takes a long time to find an answer to the mystery involving a lot more characters than most of her books contain. Characters from wealthy backgrounds who are terribly conniving, though they’ve met their match when they attempt to manipulate Nell. Or because I sometimes got a little frustrated with Nell and Gabe, which made me wonder if their relationship could ever work, but I liked how Nell changed. It’s still a fabulous book despite my feelings. And Crusie’s dog stars are always good for a laugh.

Update August 2022

With the new-look website, I thought I’d separate my updates from my recommended reads from now on to make things more accessible.

AT HOME:

August was a month in which we visited relatives, did a lot of work on the garden, avoided the worst of the heat as much as we could, and complained summer’s almost over when the temperature cooled and the rain at last came, although I much prefer cooler weather. The garden’s complete as much as these things ever are. We got rid of some older plants which had turned woody, planted a buddleia in the ground as it’s had its prescribed two years in a pot, and opened up the gazebo by removing one side panel to the end as we now have established plants. Not buying any more plants. What lives, lives, and what dies, dies. If we absolutely must replace something, it will be with a plant we’ve learned from experience will survive here.

FILM/TV:

At long last got to see The Sandman from Neil Gaiman brought to the screen courtesy of Netflix. I have loved the graphic novels for years, and Gaiman is one of my favourite authors. I’ve also loved the audio dramatisations of Sandman, and own the bookends, so no way was I going to be disappointed to see it at long last filmed. Though there have been comments on the series being too ‘woke’, sometimes from people who have no inkling of the source material, and granted there were a couple of characters I would have liked to see translated to screen exactly as seen in the books, but overall the series was so well adapted (and certainly better than any adaptation we’ve been threatened with in the past—adaptations which might have seen The Sandman on screen sunk forever), I loved every moment. Part of me can’t help wishing the series was as dark as the books (Cain and Abel anyone? LOL), but I can understand why they softened it to make it more accessible.

We’re also watch the last series of Locke & Key, and while I’ve enjoyed all three seasons of a work again adapted from graphic novels by author Joe Hill (Stephen King’s son for those who don’t know), the characters irritated me somewhat for making stupid decisions a little more often than I’d like. That’s fine for season one when they don’t know what they’re doing and have been launched into a magical world, but characters are supposed to go through a transformation in all forms of literature which means they should have learned by the final season and mistakes should be fewer, not as many or more. I’ve not read the source material, so can’t comment on what Hill foresaw for his characters, and I did like the conclusion.

WRITING:

I’m still deep into a lot of self-editing and just as well. I’ve not been able to wear my wedding rings for weeks owing to a heat rash that came up between two fingers. Despite my best efforts and several creams, if the current one doesn’t work I’ll have to speak to the pharmacist in the hope I won’t need to contact my doctor. In short, it refuses to heal, and I’m having to wear something to separate my fingers, which makes typing difficult, so like it or not for the time being more editing it is, as that requires far less use of my left hand.

LOST the Plot?

I never watched LOST the first time around, so recently went through all six series, and I couldn’t help viewing some of the show through a writer’s perspective.

Warning: Spoilers.

Imperfect? Perhaps. I certainly had issues with the way certain characters died. I couldn’t quite believe Charlie’s death. What? He couldn’t make it out of the room, close the door, and fastened it somehow from outside? If the door had an outside wheel lock, he had the time. Failing that, he looked small enough to swim out of the porthole once the glass exploded and the room filled up with seawater. Escaping was definitely worth a try. Likewise, Jack’s attack of John Locke/not Locke was reckless where he appeared to give the extremely obvious, present and enormous bladed weapon no consideration at all. No human half gutted with that thing would have carried on to save the island. I have an issue with shows where they have characters slice their hands open for a splash and dash of blood, wrap any old rag around the cut (infection anyone?) and carry on with a perfectly useable hand apparently in no pain at all, so knife in the gut and twisted… I never understand why the public is supposed to swallow such rot.

And though we’re shown Caleb’s origins towards the end, that never explains the mystical elements of the island. At one point, we’re shown a hidden crypt with Mayan or Egyptian type symbols, which appeared to the home of the smoke monster — so I was prepared to believe in an ancient god, but then we’re shown the pool of golden light with no clear connection between the light and the symbols. Is this an ancient worshiping ground? Worshipped by who and why? Is this the source of good and evil? If so, why did in manifest in two boys? If the island needs protection, why doesn’t God make it untraceable? One minute it’s difficult to find or get to and yet seems to be more easily reached by sub than aircraft. Alas, LOST leaves us with far more questions than answers.

The major problem for most viewers seems to be the ending, with the question of were they dead all along. I never thought so, and I have no major issue with the show’s end. Not one large enough to have spoiled the experience for me; however, I feel that an alternative timeline where something Desmond did in the pool to alter the outcome yet left them all with the memories of what happened would have felt far more satisfying.

And on that note, the writers negated the specialness of Desmond. Sure he ‘pulled the plug’ and that made not-Locke mortal, so he could die, but he was trapped on the island, anyway. And what was he? The devil? One of the devil’s minions? Pure evil? Or simply a hurt little boy inside? Desmond might have destroyed the island and says he made a mistake. After all he’d been through, that seems poor recompense.

The afterlife idea leaves too many questions. Why would Sayid end up with Shannon and not Nadia? Which woman was the love of his life? Things like this and more pop into my mind, when presented by the ‘we created this space as a way to meet up once we all died’. When did they all make this decision? Does heaven automatically bring you all together with the people you spent the most important time in your life with? What was the overall purpose of the island? For it certainly wasn’t where good and evil battled it out for all eternity to keep the world turning — not if the end is the end and the island was at last safe. What was the light? And when the water returned, why didn’t Jack turn into a smoke monster? Viewers certainly saw someone else get thrown in and changed, so why not Jack? Because he had a virtuous heart? Questions, questions, questions.

This is a great illustration of a problem all writers face. It’s often too easy to come up with a fabulous idea and then write yourself into a corner. At the end of all drafts, the writer must look to see what questions the narrative raises and whether they can answer them all…. Although sometimes the writer may not wish to answer and may leave it to the audience to speculate, but it’s a tricky thing to pull off. I like some open-ended stories, but LOST isn’t one of those, and so I would have preferred a few more answers.

But, having said all that, the storyline spaced out all my niggles, and at least the show had an end, unlike so many. It remained consistent and I love well-plotted, non-chronological story-telling. I imagine some viewers might find that kind of narrative difficult to follow, but I had no trouble following the storyline at all. It’s an action series, a mystery, and, like all the best stories, heavily character driven. I enjoyed the show despite every glitch because I invested in those characters.

In all good character stories, the people populating the work MUST go through a transformation. They must change, to emerge a different and (in most cases but not all) better person. In that I found LOST to be a captivating show, especially when one realises that it’s not a story about people being lost on an island, but a group of lost individuals who discover who they are and what they’re capable of together and when facing adversity. But that is why a different ending would have been far more satisfying. An end where they got to live new lives, yet remember what they went through and thereby complete their transformations in a way more satisfactory than meeting again after death.

When writing, try not to get lost of where you are in your work and when typing THE END weigh up whether you’ve not only answered all the questions you wish to against reader/viewer satisfaction. It’s still fine to go against the grain if you feel that strongly, but make it an active decision, not a mistake.

Update July 2022

Hi Everyone!

AT HOME:
Updating the website and may change the way I blog soon, but I’ll be away from blogging for the next two weeks, so a regular update for July.

Too, too hot a month. We got out for a walk in the woods, but it had to be early to avoid the worst of the heat. Now the weather has broken, the rain’s back, but it’s a relief to be free of the heat. Still got garden furniture to paint, because we’ve been repairing and rebuilding a bench, but at last on the final coat. Will be so glad when it’s over.

FILM/TV:
We never watched Lost first time around, so have been working through the entire series. We’re now in the last season, and so far… well, I can tell why it was so popular when it first ran. Apart from a few quibbles, we’ve mostly enjoyed it. I know the ending disappointed viewers, so it will be interesting to find out whether we feel the same way. If you hate paradoxes, though, the series may not be for you.

Also, watching the third season of The Umbrella Academy. I think my favourite characters are Klaus and Number Five.

One of the most ultimately disappointing series we’ve stuck with has to be The Blacklist. Although, I’ve loved the show, it’s outstayed its welcome and now in season 9… well, spoiler warning: Although any actor may leave a show, when it affects the underlying big reveal, it’s bound to leave viewers feeling flat. I’ve heard (and hope) season 10 will be the last, but if we ever discover who Reddington is, I don’t think it will have as great an impact, and the character of Liz still been around to share in the knowledge.

READING:
The Mangle Street Murders, M.R.C.Kasasian
Best described as a black comedy, the novel deals with a series of grisly murders and a seemingly unsolvable crime, but the most criminal thing about the story is the unrepentant and awful personality of Grice — a detective far more cutting than Sherlock and darkly comic because of it. The type of blunt and terrible temperament, one cannot help but laugh at and cringe while doing so. I loved to loathe him, though loathe is too strong a word. The tale’s told through the viewpoint of his ward, March Middleton, and it is as much about her having to put up with Grice as her strength and determination that makes this book amusing. And like any good detective story, there’s a meandering puzzle that only the warped mind of Grice could easily work out. I’ll be reading more of these.

The Sandman (Volume One), Neil Gaiman and cast (audio dramatisation)
Thoroughly loved this. Maybe you need to be a fan of the source material, but this is an enjoyable and faithful representation of the graphic novels. Some purists may not agree, but I feel this added to my appreciation of the books and Gaiman’s work. With a great cast, including Michael Sheen, Andy Serkis, and Bebe Neuwith, James McAvoy is the perfect choice for Morpheus. It’s a lovely thought that this production also brings the story to the blind.

Tell Me Lies, Jennifer Crusie
Seriously well-plotted romance mystery, which I liked and disliked as I read through and ended up loving. The parts I disliked seemed messy — Maddie not acting as I thought any sane woman would, or people forgiving others where forgiveness might be questionable — but by story’s end I realised it worked because people don’t act as they should, life is messy, and maybe we should all be a little more forgiving especially when no one is perfect. I came to love Maddie’s grandmother perhaps the most — her character sums up the essence of the book perfectly, even though at first that doesn’t seem like an endorsement. Many of Crusie’s earlier work is short, still well-plotted, but light fun. This is all of those things and more, showing that imperfection can be okay, even preferable sometimes, not to worry so much about what the neighbours think, and it’s also fine to be occasionally selfish. And how it feels good to stand up to dominating relatives sometimes.

The Curse of the House of Foskett, M.R.C.Kasasian
The second in the Gower St Detective novels features even more grisly murders and a maze of deception that may leave some heads in a whirl. But I’m pleased to say I suspected the right culprit. A fun series, as I had hoped, with more questions raised regarding Miss March Middleton’s past, and Mr Grice’s background. I shall read on.

The Sandman (Volume Two), Neil Gaiman and cast (audio dramatisation)
Perhaps not as enjoyable as Volume One, though I would say the same for the graphic novels, in that I love the earlier volumes more. There’s still much to love here. Also, it’s impossible to have one collection without the other if you enjoy these dramatisations. A special delight was in correctly recognising more voices. I’ve enjoyed these equally much as the graphic novels and only if my arm were twisted to choose one over the other would I opt for the books and give up these. I’m one of those people who can enjoy more than one version of a thing without it detracting from the original.

WRITING:
I’m editing a lot of my older work, mainly short stories to begin, to see what I can do with them, so I have no immediate publishing plans.
Stay happy and healthy!
Sharon x

New Look Website

I didn’t blog last week because I was busy updating the site. For those of you who pop by often, you’ll notice the difference. I wanted a cleaner look, separating the genres. Thought I’d finished, but then kept spotting things I’d missed. Hope I’ve finished now, though I intend to look through and throw out several old posts. Hope you like the changes.

Update June 2022

Hi Everyone!

AT HOME:

A mostly wet June with little happening. I’ve been painting outside furniture in the garage to protect it from the rain and local cats making a mess of the paint until dry, and local cats from the wet paint, so they didn’t end up looking like felines from Wonderland. We once again had the problem of red mites, which we suffered last summer. Harmless but they like warm surfaces and are annoying as they restrict where you can sit out, mark everything if they get squashed (and they’re so fragile it’s not always avoidable), and make us have to think twice about opening a window.

FILM/TV:

City of Ember is a pleasant film, visually stunning, and I loved Bill Murray as the Mayor. Has many negative reviews, perhaps justified, perhaps not. I don’t know the source material. A film for the little ones and adults who know no better (I mean that comment in a good way). Dual starring Karen Gillan and Aaron Paul is a hard film to rate. Though slow in places, one could easily dismiss this, yet there was much I liked about it. There’s a lot going on here, though not everyone will see it. Hearing Karen deliver lines in such a rapid monotone becomes off-putting and disturbing — exactly what the film’s going for, I imagine. I rate this science-fiction, replacement clone story as black satirical comedy that’s thought-provoking with a disturbing reflection of life.

READING:

The Midnight Library, Matt Haig

Matt Haig has never disappointed me, and The Midnight Library is no exception. One could say that the author’s telling us nothing new in this story about a young woman giving up on life; nothing we don’t already know. But Haig makes us feel this universal truth and believe, or at least want to believe, that life, a new life, potentially begins just around the corner. That everything is one decision away from changing. And for all we know, it might be.

Fourbodings: A Quartet of Uneasy Tales, edited by Peter Crowther, featuring Simon Clark, Tims Lebbon, Mark Morris, Terry Lamsley

Like one of those old films that put together a quartet of spooky tales, this book promises a dip into the same chills and thrills territory, though I’m unsure whether it fully delivers. There’s poor old Gerry who finds an apartment best left unrented; Vic, who can’t leave his friend Paul, to rest, but questions the accident that killed him on a dangerous road; Mary, who’s lived in the wilderness too long, her story leading us to question what’s most poisonous — the belladonna that grows or the man she once knew; and Bridget and Colin, who may have moved to a house with a dark secret. All leave the reader a little disorientated, questioning what is and isn’t there, but the stories also feel somewhat disjointed and incomplete, even though I imagine that’s intentional.

Trust Me On This, Jennifer Crusie

A brief introduction from the author describes this as a screwball comedy. It is, although this led me to expect a more intricate plot with lots of mistaken identities. The book, therefore, proved much lighter than my expectations, but just as enjoyable for all that. This is light summer beach reading and there’s nothing wrong with that. Perfect for lifting the spirits and setting aside stress. My favourite line comes toward the end of the book when it turns out the dog is a deal breaker for the man as much as the man is to the dog. It’s almost a throwaway couple of lines, but I thought too right. Crusie does what she always does here: create great banter.

Casino Royale, Ian Fleming (audio read by Dan Stevens)

I’ve never read a James Bond book. They’re always going to be hard to judge considering the dated attitudes. Though I don’t believe people, and certainly not literature, of the past should be judged by today’s standards, one can’t help a modern view creeping in. One has to disregard the sexism to get any enjoyment from Fleming’s most famous agent. Also, Bond’s meant to be a great secret agent and yet always appears to slip up, leaving the average person in the street shaking heads. Here he walks into a trap to save the woman, but I had to wonder to what use if caught and unwilling to talk under torture. There are good things here: the start of the Bond franchise; a glimpse of a deeper man hidden beneath the appearance of an impenetrable surface, but both Bond and Vesper also come across as emotionally weak. A physical relationship between them could easily be understood, but love? Considering what they had gone through, their relationship seems rather unhealthy. Of course, without giving away the ending, Vesper shows rather more backbone and courage, while Bond reverts to sexist weakness. Bond hurt is a man who buries any possibilities of owning his feelings and turns toward hate, emotionally erratic. Perhaps this was Fleming’s way of creating the cool, hard-shelled agent we know, but it feels cheap. It shows us a man who is not as self-assured as he believes; a man unwilling to be vulnerable, though one has to keep in mind that this story is set in a time of the British stiff-upper-lip. I could go on dissecting the work, but it simply is what it is. Dan Stevens does a superb job of reading and making the book come alive.

The Salt Path, Raynor Winn

Beautifully written with an underlying longing for hope, this book offers a journey that will drag the reader through mires of sadness, love, and optimism. If I have any criticism, it’s that a few dialog tags in places would have helped me more easily work out when it was Ray and when it was Moth talking, but that is a minor point. It also throws a light on what it is to be homeless in a way that makes the reader question the easy statistics governments throw at us. In a world where it’s now even easier for the hardworking to find themselves in a similar predicament, one should feel for Raynor and Moth and ask themselves what they would have done in a similar situation, for both of them turn out to be extremely hardworking people who slept where they slept because they had nowhere else to go. I almost let a few negative reviews put me off reading this. Judging by those comments now, I can feel some don’t get the situation this couple were thrust in. They were not killing time, but trying to find a new direction, working out how to cope with devastating news, and learning and relearning so much about themselves. True, there was one small incidence of shoplifting — for food when they were desperate. Those so easy to condemn need to walk in less fortunate shoes. For those who have a love for the southwest and who have walked any stretch of the path, this will speak to them. Their diet was far from ideal, but there aren’t exactly massive supermarkets along the route, and there’s not much such person can cook on a tiny gas stove. Anyone who questions or criticises the way they ‘survived’ on the South-West Coast path, I can only imagine they’ve walked no stretch of it. It’s not something I would want to do without B&B arranged along the way, and plenty of funds to pay for food. Apparently, the couple now live in Cornwall, do charity work for the homeless, and Moth got his degree.

The Bad Place, Dean Koontz

A re-read for me, which I almost put down a time or two. I can’t claim to like this book because the bad guy is almost comically grotesque in mind, manner, and his origins and ultimately this is a terribly sad story. Also, I found the passages focusing on him and his sisters simply didn’t hold my attention, but the mystery behind Frank, the detectives he hires, and the surrounding characters kept me reading. Of course, as this was a re-read — be it after many years — I knew the outcome, but had forgotten some details. Perfectly plotted, if there’s one big negative in the book is that it feels a little overwritten and could do with tightening to make a more punchy impact. And the somewhat excessively dangerous man and his kin is questionable.

WRITING:

Much the same as last month, only I outlined a brief plot for a story I’ve been wanting to write for sometime. Though I’m a way off starting it, that takes me a step closer.

Stay happy and healthy!

Sharon x