Reads of 2018 part 1

At long last I read a greater number of books last year, approximately 60 so I was back up to my at least one book a week average. As there are a larger number to mention, part 2 will appear next week.

I read several zombie novels in 2018, including Patient Zero, by Jonathan Maberry, a riveting fast and perfect paced blend of zombie apocalypse and contemporary military thriller. I’ll be reading more in the series.

Next came The New Hunger, by Isaac Marion. Having loved the writer’s first published book, I had to see what else the author had done. This is a short and unnecessary read but it’s well written and enjoyable and gives us a glimpse into the background of the characters in Warm Bodies.

Warm Bodies, Isaac Marion, is a book I first read about 4 years ago. With my hands on the novella prequel and the novel sequel, I dipped in again. First, a word on the film of the book. It’s not a terrible film, but it uses the more humorous parts to convey the author’s much more visceral idea too lightly. When I first saw trailers, I imagined the book to be a Young Adult ‘popcorn’ story, a jokey hoot. Do yourself a favour; if you’ve seen the film, regardless of whether you liked it, DO read the book. It’s a decidedly unique experience.

With the characters of Julie and ‘R’, the setting is a modern twist on Romeo and Juliet set in a dystopian future where zombies outnumber the living. Even many of the survivors seem dead inside, imprisoned as they are behind their safety barriers. Like many zombie books, this is a story that questions and reflects society, but particularly skilfully. An unexpected read the first time around, and no less pleasurable the second. The book contains threads of something dark and disturbing, yet enlightening. This book will speak to some people, though not all; I hope it speaks to many. This is not a gory horror novel, not a teen Rom-com spoof. Hidden within its pages is a celebration of life in all its messiness. The story is a metaphor for so many things: the state of the world, life’s meaning, civilisation out of control. It imparts the essence of almost every zombie story and life itself. It’s a book about living.

The Burning World, Isaac Marion. Where Warm Bodies stopped, this book continues and seems to speak on a wider basis, reflecting society, the way we view authority and vice versa, the way countries are run. Maybe because Warm Bodies felt like a complete reading, I didn’t enjoy this as much, not that I disliked it. It’s a worthwhile read. It doesn’t wind up the story, though, and I’ll be interested to see where the author is going with this series as Warm Bodies felt like a complete reading that needed nothing more.

The Society of Blood, Mark Morris, was a tough book to review. The middle of a trilogy, so I couldn’t tell whether it did its job. I found the first book so intriguing I had to read the rest. The second was as interesting though maybe not as compelling, but it didn’t have to be. Its purpose was to set up situations that will reach a satisfying completion in book three. That’s a question I couldn’t answer until I picked up the next book. What felt disjointed served a purpose. It also gave the reader a sense of Alex’s disorientation. There’s only one way to describe the book, and that’s as a time-travelling Steampunk horror. With time-travel, horrific mechanical creatures, mad scientist experiments, shape-shifters and a strange artifact at the heart (excuse the pun) of the story, it was difficult to tell whether the story was overdone or perfectly executed at this stage; but, as a reader who likes to see a wild imagination at work, this was still a good read and, as the trilogy concluded satisfactorily, it is now a welcome addition to my bookshelves.

A Separate Peace, John Knowles, called a masterpiece and I can see why. Set in a boy’s school where an incident involving a dive from a tree explores what is in our own hearts and minds. The themes explored are interesting, and the book is well-written, very much a classic of its time.

Chase, Dean Koontz, was a re-read for me. My copy is old and purchased when I first read Dean Koontz around the time his book, Strangers, came out. I’m trying to get rid of a few books, so revisiting titles from authors I’ve collected in the hope I can give a few away. This isn’t a bad thriller, but it’s very much a product of its time. The reason behind the killings, the killer’s motivation, the stereotyped persona of both the killer and the women, all well-written in their day, but give the book a nostalgic feel read now. The forensics and phone tracing possible now would probably mean the outcome would have been unlikely without more care taken. It’s a decent read of its time and there’s nothing wrong with that, but I can understand why many will have problems with this; it’s a problem every writer faces when science and technology move on. If you want classic Koontz, there are still many good things here, especially in the first half of the book, but he’s written many that are better.

In March I picked up The Wraiths of War, by Mark Morris, to conclude Alex Locke’s adventures through time. I spent a good amount of time travelling with ‘Alex’ wondering if the trilogy would reach a satisfying conclusion. I’m delighted to say it does, or at least did so for me. Despite one or two loose ends — much of which could be explained by the possibilities of time travel and not knowing what might be possible in the future — I put the book down with a smile wanting to revisit Alex Locke’s world again and re-read this at some point now knowing all that I guessed and all I learned.

Any series, whether a trilogy or longer, can require patience, can require reading the whole before it’s possible to give any true critique. Time travel stories often tie me up in knots, make me frustrated and the reading (or viewing) experience almost painful, all of which keeps me on tenterhooks more than any other story type — the dreadful need to correct a timeline and the possible disastrous consequences of failure. There were moments like that in this book, though I never felt a need to hurry when reading this. I was as happy to enjoy Alex’s quieter periods in his life and the more exhausting ones. Perhaps the most suspenseful moments in the 3rd book are when Alex has to face trench warfare (as stated in the blurb, so this is not a spoiler). What Mark Morris has written… well, I’m sure almost any accounting of war falls short of reality, but he’s tried to express the horrors.

I’ve read several of Mark Morris’s books but the Obsidian Heart trilogy feels like something he was destined to write, I applaud the work that must have involved tying all the timelines together, and the three books will be among my book collection for a good long time.

Snowblind, Christopher Golden is an enjoyable ‘chiller’ that takes place during two horrendous snowstorms (sorry for the pun; couldn’t help myself). I would have liked to get to know the characters and cared for them a little more, but the development and depth is what one expects of the genre. This somewhat different ghost story contained enough of a twist and creepiness to keep me entertained and I like the revelation of the truth behind the cause of the disappearances. It’s possible to imagine some scenes done well made into a film.

Humans, Matt Haig, is one of those books about much more than it first appears to be — questioning the puzzle that is a human being and told with a simplistic plot. Amazing.

The Ritual, Adam Nevill, is a book of two halves. I so wanted to give it 5 stars, but I preferred the first half of the book to the second, and, although I’m unsure what would have been a better conclusion, the end felt a little abrupt. What I love about this book is the atmosphere the author creates, capturing my interest in a way many books of this type have failed and making him an author I want to read again. I imagine some may say they’d like to have got to know the characters a little more, at least it occurred on some level, but in a horror story it’s not always necessary to know these men are little more than regular guys doing their best to get by in their average lives and who don’t deserve the situation thrust upon them. A wonderfully atmospheric lost in the woods horror story.

A Very Private Haunting

Shipping soon, what Candy Jar call my ‘spooky opener’ for series five. Yeah, I guess it is. Even when a foray into the world of Lethbridge-Stewart I couldn’t help that dark side peaking out.

Get your orders in for this limited edition (with extended short story) before it sells out!

A Very Private Haunting sees Arthur Penrose finally take ownership of a Scottish manor house that’s been in his family for generations. There are many secrets in the house, but what connects them to the mysterious shadow creatures that Lethbridge-Stewart and his men are investigating?


For a reduced price you can receive the following three books before general release in 2018:

A Very Private Haunting by Sharon Bidwell
The New Unusual by Adrian Sherlock & Andy Frankham-Allen
The Man from Yesterday by Nick Walters

Will Snow Angel ever see print?

Two announcements this week. First, I’ve signed a contract with JMS books for a brand new work entitled Flowers for the Gardener. It should be out in April. Also, Christmas Angel makes it to print.

One question I heard many times over what had to be ten years was would Snow Angel ever see print, but I had no satisfactory answer to give. At this time of writing, it has. With Snow Angel, the sequel Angel Heart, and the new Christmas Angel (the last book completing a trilogy), now out in print, I can at last say a big thank you to those who requested print copies. Before now, the only reply I had to give was… maybe. A simpler answer was yes, because if all else had failed ‘one day’, I would have self-published. The trouble with that (discounting the fact I’m not currently of a mind to take the self-publishing route), I couldn’t state how far away ‘one day’ would be.

It’s official and Snow Angel became a best-selling book, doing better than many conventional printed paperbacks, with its sequel closely following in the rear. So why didn’t the first publisher take the initial titles to print? The reason a predominantly ebook publisher produces a print book is long and convoluted, and as easy to answer as the length of a piece of string. There is one answer I could give, and that was because both books fell out of the range of that publisher’s ‘accepted length’ for a printed book — one too long, the other too short, and together being impossible. So I knew the first publisher would never print the book.

The print option in the contract had long since run out and there was nothing to stop me trying to find a publisher that would print the book separately, but this was difficult and unlikely. The markets most willing to print the book would no doubt want electronic rights, too. Fine, if I could find someone to take it on as a complete package, but then I would have had to negotiate with the then current publisher to remove the book — a thing I could only do when the original contract came up for renewal. When a title is still selling, it’s a fine balance to know when to pull a book from the existing market. Once upon a time, books were forever, but nowadays many have a more immediate shelf life — a commodity just like a loaf of bread.

The right moment came when I added a third title. I asked fans of the book what they wanted and should put out as is or whether to re-edit the original titles. They told me my style had improved and the new book would jar with the older titles, so the votes came in for re-edit. I did so with success. My trilogy has a home now with JMS books and with everyone who took an anti-hero to heart.

Lethbridge-Stewart Series Five Announced

PRESS RELEASE 18/09/2017

LETHBRIDGE-STEWART
SERIES FIVE ANNOUNCED

 

Candy Jar Books is pleased to announce the latest titles in its Lethbridge-Stewart range of novels are now available for pre-order!

Series five opens with The New Unusual by first-time novelist, Adrian Sherlock, who wrote the short story, The Playing Dead, in 2016.

It is followed by A Very Private Haunting by Sharon Bidwell, who is no stranger to writing novels, with quite a resume behind her, including the Lethbridge-Stewart short story, The Wishing Bazaar in 2016.

The series is wrapped off with The Man from Yesterday, by popular novelist Nick Walters, who returns with his much-anticipated second novel in the Lethbridge-Stewart series, following 2015’s Mutually Assured Domination.

Range Editor Andy Frankham-Allen says: “It’s quite an exciting series, with three very distinctively different stories. Each explores very different aspects of the Lethbridge-Stewart universe. A New-Age thriller taking the team to Australia, a ghost story set in and around a haunted manor, and an all-out adventure which pits very branches of Lethbridge-Stewart’s family against each other.”

The New Unusual sees our heroes being drawn to Australia after investigating strange goings-on at dream-ins, mysterious new age gatherings in which people explore their deepest desires through eggs of alien origin. This book features the return of Lethbridge-Stewart’s nephew, Owain.

A Very Private Haunting sees Arthur Penrose finally take ownership of a Scottish manor house that’s been in his family for generations. There are many secrets in the house, but what connects them to the mysterious shadow creatures that Lethbridge-Stewart and his men are investigating?

The Man from Yesterday sees Lethbridge-Stewart learn the truth behind his father’s disappearance at the end of World War II, when aliens arrive on Earth from a mysterious region of space known only as the Realm. This book features the return of Lethbridge-Stewart’s brother from another reality, James Gore, and his father, Air Commander Gordon Lethbridge-Stewart!

Andy continues: “This series of books sees our lead characters, in particular Lethbridge-Stewart and Anne Travers, dealing with the fallout from the losses they suffered in series four. The series ends on something of a cliffhanger, which will have repercussions for the series as a whole for a long time.”

Head of Publishing Shaun Russell says: “Series five is the last in the ongoing series for a while, as next year we’re stepping out of the usual narrative to present a special series of novels celebrating fifty years of Alistair Lethbridge-Stewart and Anne Travers.”

The New Unusual, A Very Private Haunting and The Man from Yesterday are all available for individual pre-order now, for £8.99 (+ p&p). Or you can pre-order them as part of the discounted UK bundle for only £26.25 (including postage), saving £9.72, or an international bundle for only £45.00 (including postage), saving £5.97. Or, you can buy it as part of our yearly subscription offer. Order early to avoid disappointment.

http://www.candy-jar.co.uk/books/nightoftheintelligence.html

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www.candyjarbooks.co.uk

 

For more information, or to arrange an interview with the editor, authors, cover artist and/or license holder, please contact Shaun Russell at shaun@candyjarbooks.co.uk or 02921 15720

 

 

 

 

 

Previous series:

Lethbridge-Stewart series 1:
The Forgotten Son by Andy Frankham-Allen
The Schizoid Earth by David A McIntee
Beast of Fang Rock by Andy Frankham-Allen
Mutually Assured Domination by Nick Walters

Lethbridge-Stewart series 2:
Moon Blink by Sadie Miller
The Showstoppers by Jonathan Cooper
The Grandfather Infestation by John Peel

Lethbridge-Stewart series 3:
Times Squared by Rick Cross
Blood of Atlantis by Simon A Forward
Mind of Stone by Iain McLaughlin

Lethbridge-Stewart series 4:
Night of the Intelligence by Andy Frankham-Allen
The Daughters of Earth by Sarah Groenewegen
The Dreamer’s Lament by Benjamin Burford-Jones

 

$1 Dollar Deal for the 5th July

To celebrate 7 years of JMS Books grab a copy for just $1 dollar but only direct from the publisher on 5th July.

Should a writer have favourite books when it concerns their own work? That may be up for debate but while I have a fondness for many titles, there are a handful where no one can deflate my deep sense of a job well done. Hard Pressed is one such title.

Blurb:

Can absolution arrive in three little words?

When one man has the worst of reputations and believes any misfortune befalling him is deserved, it’s hard to feel worthy of love. Can absolution arrive in three little words?

Journalist, Phillip Drake, is beginning to doubt the career he’s chosen, his motivation, his whole existence. When an assignment arises to trail up and coming, and coming out, actor, Gary Caldwell, he’s well aware it’s his duty to dig for dirt…and when Caldwell seems less than co-operative, Phillip half-convinces himself he’ll be happy to do so.

Gary has always been attracted to the reporter and finds it difficult to maintain a distance. Something is going on with Drake, not least of all the surprising revelation when Gary realises Drake is gay, and the attraction is mutual.

After an intimate encounter, Drake disappears and Gary sets out to unravel a mystery that not only involves tracking down the reporter’s whereabouts, but may also explain why Drake has done the things he has, why Drake harbours more than a little self-hate and more than emotional scars, and why the one thing Drake doesn’t believe he deserves — love — is the one thing he’s worthy of.

Get the $1 dollar deal on 5th July.

Previously the editor’s choice when originally published at Musa (trading ceased).

Regard Fear as the Enemy

A little over a year ago, I did a guest spot on Southern Writers. Several months on this seems a perfect moment to reproduce that blog here, though an introduction explaining why won’t hurt.

Writers everywhere get days when they would like nothing more than to remain in bed, and to draw the pillow over their heads. Despite the longed-for dream, not everything about writing is fun. I always look at writing and publishing as two different ‘beasts’. This is one of those not-so-fun instances.

I’ve moved. We’ve jobs to do in the house, and this being the biggest relocation of our lives (so far), we’ve much to organise. I’d love to be one of those people who can compartmentalise, push everything to the back of my mind and write. I’m much better at getting everything finished and then concentrating on one thing at a time. No way in publishing can that happen. Right now I’ve a book to finish that I wanted to sub at the end of January. I’ve another in a trilogy that requires approximately another 20k of words and I should send in… oh about now. There’s no set deadline, but I’m trying to reach readers, publisher, and my expectations. Then I’ve another, and, in some ways, a far more important book to finish that needs a whole subplot adding to it. I’m swamped.

At the weekend I walked away from it all. I took a time out I couldn’t afford because something was going to snap; bad enough it should be my temper, but I didn’t want it to be me. All that leads me into the subject because writers live with a good deal of fear. Fear they won’t meet deadlines. Fear they won’t be able to finish a book. Terror that each fresh work won’t be received as well as their last. Fear of taking on new projects, especially those outside of their comfort zone, and the temptation to walk away from it all.

While the books I refer to below are currently unavailable, I’m working on other projects that feel as terrifying, maybe more so. Add to that the dread of days that end in what feels like a blink, and a bed and a pillow seems evermore enticing. The trouble with that temptation, like so many types of avoidance, it cures nothing.

I wish I could write an encouraging ‘how-to’ narrative, revealing all the secrets of mastering the writing craft. Such a missive might make the task easier and eliminate writer anxiety. My own included. My advice? Be afraid but grasp opportunities, anyway.

The secret is there is no secret. What may work for one author may not work for another, same for genre or market. There’s no specific wrong or right way to write, wrong or right way to market (though spamming is never a good choice). There’s no yet revealed way to kill the worry of finding the next idea, the right publisher, receiving a terrible review, or jumping in and trying something new. I’ve learned to view the occasional fluke as providence.

I try anything, and file what doesn’t work now in case something becomes useful. This goes for stories as much as promoting. I find stories often by ‘accident’. May begin with two seemingly unconnected incidents, a vague idea of characters or places, or a single occurrence. I’ve even created stories from a title idea, a phrase, or a random selection of words, tried many genres. Some markets I stumbled into because an idea nagged me to write it, or because I was searching for submission calls. That’s when an accident bridges the gap to intent. Where one formula won’t work for one writer, it may do so for another. Where a blueprint doesn’t apply to one genre, another must be rigid. Study the market. It’s amazing how many writers still send the wrong material to the wrong editor or publication. A horror publisher doesn’t want romance, or vice versa. Pay attention to guidelines.

I read anything and everything; have too many interests, so with writing it was hardly surprising I wanted to run in all directions. I called myself a multi-genre author, little knowing I was making an already arduous task more problematic. Branding is important, possibly imperative. My stories appear from the mysterious well of my imagination working together with a brain that seems to tuck away the quirkiest detail; I sometimes feel as if I’m fooling myself if I think I’m in control of them. There’s no knowing where I’ll head next, so I keep my options open. That’s why my next publication will take me to Jupiter, where there are dragons.

Being willing to make ‘accidental’ connections both in real life and in my storytelling is how I got embroiled in the steampunk world of Space 1889. I received an invitation. I quietly panicked. Then I took a breath, started reading and researching. Now I have three titles (one co-authored) in a series that is a minor part of history. Regard fear as the enemy.

Good News

First, this will be the last blog for at least two or three weeks. I’m afraid I missed last week owing to ill health and the days ahead are busier than usual… for an excellent reason. When I return, it will be from a new address.

Yes, I’m moving… again! Seems to be all I do in recent years, but after several stressful weeks/months/years even, I’m able to say we’re making a significant move, a life-changing relocation. Providing all goes well, I can even look forward to finally having a study. There’s much to arrange and so I’ll be taking a hoped-for ‘only short’ break, though I’m still trying to finish the Work in Progress, and edits for another release in the ‘Snow Angel’ planned trilogy.

In the meantime, I’m happy to announce that I have a novel accepted for the Lethbridge-Stewart series. No specifics as yet regarding title or release, though it will be later this year. And meanwhile I’ve a short story out in a few weeks–the ‘sleepless nights’ the write-up for Night to Dawn Issue 31 refers to. More news when I have it… and when I’m able to post.