Category: Writing

My Emotional Arsenal

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I may surprise many people by saying I’m not listing talent as the most important writing skill. The topmost item on my list is an Emotional Arsenal.

There’s an advert doing the rounds in the UK at the moment staring Claudia Winkleman promoting her use of Head and Shoulders Shampoo. In this advertisement, Claudia reads out some tweets, including one that refers to her as an annoying personality vacuum. She jokes this off as if it means nothing. Maybe the tweet hurt, maybe it didn’t. I don’t care what shampoo she uses and I refuse to address any issues people may or may not have with her personality. I would like to think the tweet meant as little to her as it appears to in the ad because that’s the foremost skill anyone who does a job that draws public attention needs to learn. James Scott Bell refers to it as Rhino Skin.

Seriously, every writer must grow a thick skin. If rejection and harsh words are upsetting, the publishing world may not be worth the grind. If the potential writer is a person who can only moderately handle criticism, then the thick skin required may develop, but the sooner the better is the only true advice. The writer will always face criticism at every stage — from editors, from readers, from critics and reviewers. Regardless of personal views, one thing I admire J.K.Rowling for was saying she wasn’t taking dictation because this has to apply to all writers. Critique (as opposed to criticism) can be invaluable, but it’s best to learn to temper feedback with one’s own judgement. The writer should not allow every negative comment to influence the work. Train one’s reaction to meet negativity with determination.

Having said all that, I will contradict myself a little. You don’t ‘have’ to read reviews for your book. You’re allowed to take a break from the outside world and its influences. A negative review can be an excellent learning experience, but if you find one particular place online has a habit of being a cesspit of negativity not only for your book but for others, it may not be the best place to hang out. If you receive nine glowing reviews but a tenth accuses you of being talentless and your book best used as toilet paper, keep in the mind trolls pepper the internet — people who thrive on giving other people a day as black as their small twisted souls. Common sense is key here. Don’t take everything to heart and learn to recognise what is truth and what is not. That which is personal bias. Bigotry. And that which is plain meanness.

That’s another requirement on my list. The writer needs determination. Also, patience. These three things may be the most important for the writer’s Emotional Arsenal. Make that four. I will add discipline. The writer must make time for writing, and in an already busy life that can seem impossible. All authors face deadlines.

However, the writer who constructs an unbreakable emotional barrier may risk cutting themselves off from facing their work with honesty. Although I said to grow a thick skin, in a way only practice and experience can teach the writer to deal with negativity and change it into something positive. It’s taken me time to learn how to flip a switch in my head from a writer to an editor, and it’s an ongoing process of learning, but I face my draft as a writer, my manuscript and all that comes after as an editor.

Be willing to learn — from courses, from writing know-how books, from reading material, from editors, and yes, also readers…. all to a point. Don’t get so wrapped up in these things they become more important than writing itself, but don’t dismiss them. In a flooded market, there are as many ‘how-to’ books as wannabe writers, but there are excellent volumes out there. Be willing to study and to learn, always.

Reading and other news August 2018

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Hi Everyone!
Yes, I know it’s September. I should have posted this last week, but I’m slightly late as we were away visiting family.

READING:

The Bullet Trick, Louise Walsh
I’ve read one of Louise Walsh’s books before (though the title escapes me) upon recommendation. I recall not being taken with it. This book I enjoyed more. The writing is slick and I like the way the story jumps back and forth between settings and time. The big reveal, not so big, but an enjoyable, cosy thriller. One I liked for the writing and presentation more than the plot.

In the Place of Fallen Leaves, Tim Pears
Felt myself falling into this story almost right away, certainly by the start of the second chapter. The writing is lyrical, creating images and imparting information in an intricate weave. It’s a book without a plot, though; more a memoir in tone than a story, an exposition of events over a long, hot summer in Devon, sometimes grave, other times sad and humorous. Not one to speed through.

The Girl Next Door, Jack Ketchum
This book is hard to review objectively. On the one hand, it borders the type of horror termed as torture porn. On the other, and in a part precisely for that reason, I’m sure it does what it intends to do. It provokes emotion and, I hope, for most people, in the right way, making the reader uneasy. Ultimately, I wasn’t able to forgive anyone, not even the protagonist. There’s something voyeuristic in the reading, speaking to the part of human nature that wants to put the book down. Yet, like watching a train wreck, another part wants to discover the outcome. Wants justice. Retribution. Wants to ‘do something’, to act, particularly as this is based on a true story — the book’s real saving grace as it highlights the plight of all abused children, spiking the guilty nerve of anyone who doesn’t want to get involved. The book is confrontational and unsettling in so many ways that it questions the causes behind my very dislike. The book is terrible, and in that possibly achieves its purpose, creating a conundrum both excellent and dreadful. It’s a repulsive grim read that’s hard to turn away from or dismiss, though I’m positive not everyone who reads this will have the same experience as I did. I dislike this book, but that’s okay — I shouldn’t like it — but I appreciate it as a job well done: vile but emotive because of that. Still, I didn’t know at the time that the surviving family never wanted this book published. Had I known, I probably wouldn’t have it.

FILMS:

If you’ve ever seen Tarantino’s work, you know you’ve got to have a stomach for violence, but one of his less violent and surprising films was The Hateful Eight. There are a few graphic shootings, but most of the film comprises long drawn-out conversations. We found it interesting, surprised how fast an almost 3 hour film passed, but I can see where it will send many to sleep.

Been catching up on Doc Martin, a series I’ve always liked, but I don’t get what the creators are trying to do with the character in season 7 with the dog story.

SPOILER: Even if it would be a part of the character’s mental condition, this is fiction and even if they turn it around, it can never be forgotten or forgiven. When he was merely irritated with the dog, it was mildly funny. When he dumped the animal at the side of the road, his actions became more questionable. When he tried to kill it, the game was over. Way to go, making me hate the character. If I were his wife, Louisa, it would be an instant divorce. I’ll stick with the series, but this storyline has made me dislike the MC and even the inhabitants of the village, as no one seems to want this poor homeless dog. Saying that, the end of Season 8 has the best line possible.

WRITING:

I’ve already mentioned in another blog post I made the hard decision to remove some of my titles from circulation.

I also returned the galley proof of A Not So Hollow Heart and received the cover. Amazingly, there were no errors, though there is one issue where house-style has determined the use of US punctuation in an otherwise UK setting, UK characters, UK spelling and punctuated book.

 And lastly… I have something I want to tell you but can’t… yet. It may not happen and if it doesn’t, I’ll no doubt just let you know ‘no joy’. I’m terrified to even mention it.

Until the end of the month… Happy Reading!
Sharon x

Being Passive

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I’m back from a week away and my workload is overflowing so for a quick blog this week, I thought to draw attention to a brilliant ‘rant’ on the often abused word ‘was’ and the mistaken disuse of so-called passive voice. Incidentally, the ‘rule’ on passive in the UK is not to overuse, but no one EVER tells a writer to eliminate it here precisely for these reasons: http://pcwrede.com/blog/misunderstanding-grammar/

The ‘To and Fro’ of Writing

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If the dream of being a published author includes the ‘hideaway’ at the bottom of the perfect garden in full bloom on a summer’s day with bees buzzing between the flowers, think again.

When the vision is of a long desk with a deep leather chair set in front of a panoramic window showing the view of the beach and a long stretch of sand leading to the palest blue water ever seen, my advice is to reconsider.

If the picture is of the writer tapping away at the keyboard, making notes on paper, taking the occasional call from his or her agent and smiling in ill-disguised pleasure over a glass of wine at the end of a writing day while reading the latest heartwarming review over the last release, alter those ideas.

Most published authors still need to work on a part-time if not full-time basis. Even if they can write full-time, life isn’t all roses and champagne.

I haven’t blogged about writing for a while so thought this was an apt post. My teenage dream was not as fanciful, and mostly composed of finishing a single work, sending it away, having it edited, published, and possibly having to attend books signings, while working on the next novel. I never envisioned the back and forth, to and fro, hop from one foot to the other, mental swings and roundabouts of working on several stories at once.

I’ve edits on one work and have to return the galley proof to a deadline, trying to write a full novel (to a personal deadline), trying to write/edit a short story that’s needed ASAP, and trying to draft a proposal for yet another idea for a potential novel. Oh… and I’d also like to be working on a few short stories I’m considering sending out and/or putting together in an anthology. There are many pitfalls linked to the dream of becoming a published author, many of which no one warns you about, and working on several projects simultaneously is one.

I’m not even going to pretend to enjoy it. On the rare and fortunate occasions when the work flows, the last thing a writer wants is to have that stream interrupted, to throw a mental switch, and to perform an intellectual feat of dexterity. That’s what makes leaving a story at long last nagging to be written to rest, to work on something you’ve possibly read and edited thirty times, so torturous.

Sometimes I read something I wish I’d written myself. Often it’s a book. This time it’s a blog. No one can express what I’m trying to put across more than this post by author Kate Douglas. It’s an oldie but goodie so I’ll let her speak for writers everywhere: http://lisapietsch.com/2010/04/20/kate-douglas-delivers-the-essential-author-101/

Time for a Change

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I made the tough decision last week to remove some of my titles from circulation. Not an easy or overnight decision by any means — I spent many months reaching that conclusion. With the closure of one publisher, now was as good a time as any to reconsider some of my older works. Those I’ve withdrawn no longer represent me. My style has changed as I have improved. I may re-release some after an edit but I’m happy to let others rest for now, if not indefinitely. A few books I never intended to write, owing to the muse and opportunity. I regret none of them — they were all a learning experience — but my interests have grown, as have the possibilities.

To some writers, particularly those still seeking publication, the decision to withdraw books from the market may sound surprising. No one warns you of the heartache when a good publisher closes, or having to make the sometimes heartrending choices, and this was definitely one of those. I was pleased and proud to hear their door remains open to me. This re-enforces the fact they were a wonderful group to work with and tells me they’ve appreciated the stories I produced for them. Didn’t make parting ways any easier.

The simple truth is some older works can do more harm than good, particularly when the writing has improved so much as to be almost unrecognisable. I don’t mean the older work is necessarily poor, but the difference can be so great it may influence someone’s decision to hire the writer, and there can be many factors too many to bother mentioning here. If a work weighs heavily on the writer, if there’s a smidgen of doubt, the best thing can be to put the work to bed. In the matter of love, it’s sometimes said the heart wants what the heart wants. It’s a peculiar lesson for the writer to realise the same can be said of one’s writing.

Dark Poetry

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Dark fiction doesn’t have to only mean stories. I’ve dabbled with poetry occasionally, but not written much for several years. Still, whenever I’ve crossed my dark fiction with what poetry skills I have, there’s no denying one improves the other.

Of course, this type of playing with words is nothing new. We can thank Poe for creating one of the most famous pieces of dark poetry.

Could there be a better voice to read this to you than Christopher Lee?

Though if you’d prefer some graphics:

An Haiku for You

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Do you remember a typical English summer? No, neither do I. These days we seem to follow the pattern of a few hot days followed by a storm, a few drab days, rain, sun, rain, drab, maybe some sun, and then the expectation of another storm. People are taking breaks and flowers have struggled into bloom. I write little poetry but while I step back for a few days and until I post again, I thought I’d leave you with a Haiku.